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- THE flower-fed buffaloes of the spring
- In the days of long ago,
- Ranged where the locomotives sing
- And the prarie flowers lie low:
- The tossing, blooming, perfumed grass
- Is swept away by wheat,
- Wheels and wheels and wheels spin by
- In the spring that still is sweet.
- But the flower-fed buffaloes of the spring
- Left us long ago,
- They gore no more, they bellow no more:--
- With the Blackfeet lying low,
- With the Pawnee lying low.
- Vachel Lindsay

In Springfield, Illinois
- IT is portentious, and a thing of state
- That here at midnight, in our little town
- A mourning figure walks, and will not rest,
- Near the old court-house, pacing up and down.
- Or by his homestead, or by shadowed yards
- He lingers where his children used to play,
- Or through the market, on the well-worn stones
- He stalks until the dawn-stars burn away.
- A bronzed, lank man! His suit of ancient black,
- A famous high top-hat, and plain worn shawl
- Make him the quaint, great figure that men love,
- The prairie-lawyer, master of us all.
- He cannot sleep upon his hillside now.
- He is among us:--as in times before!
- And we who toss or lie awake for long
- Breathe deep, and start, to see him pass the door.
- His head is bowed. He thinks on men and kings.
- Yea, when the sick world cries, how can he sleep?
- Too many peasants fight, they know not why,
- Too many homesteads in black terror weep.
- The sins of all the war-lords burn his heart.
- He sees the dreadnaughts scouring every main.
- He carries on his shawl-wrapped shoulders now
- The bitterness, the folly and the pain.
- He cannot rest until a spirit-dawn
- Shall come:--the shining hope of Europe free:
- The league of sober folk, the Workers' Earth,
- Bringing long peace to Cornland, Alp and Sea.
- It breaks his heart that kings must murder still,
- That all his hours of travail here for men
- Seem yet in vain. And who will bring white peace
- That he may sleep upon his hill again?
- Vachel Lindsay

- (IN THE BEGINING)
- THE sun is a huntress young,
- The sun is a red, red joy,
- The sun is an indian girl,
- Of the tribe of the Illinois.
- (MID-MORNING)
- The sun is a smouldering fire,
- That creeps through the high gray plain,
- And leaves not a bush of cloud
- To blossom with flowers of rain.
- (NOON)
- The sun is a wounded deer,
- That treads pale grass in the skies,
- Shaking his golden horns,
- Flashing his baleful eyes.
- (SUNSET)
- The sun is an eagle old,
- There in the windless west.
- Atop of the spirit-cliffs
- He builds him a crimson nest.
- Vachel Lindsay

- TRUE Love is founded in rocks of Remembrance
- In stones of Forbearance and mortar of pain.
- The workman lays wearily granite on granite,
- And bleeds for his castle, 'mid sunshine and rain.
- Love is not velvet, not all of it velvet,
- Not all of it banners, not gold-leaf alone.
- 'Tis stern as the ages and old as Religion.
- With Patience its watchword and Law for its throne.
- Vachel Lindsay

- THE North Star whispers: "You are one
- Of those whose course no chance can change.
- You blunder, but are not undone,
- Your spirit-task is fixed and strange.
- "When here you walk, a bloodless shade,
- A singer all men else forget.
- Your chants of hammer, forge and spade
- Will move the prarie-village yet.
- "That young, stiff-necked, reviling town
- Beholds your fancies on her walls,
- And paints them out or tears them down,
- Or bars them from her feasting halls.
- "Yet shall the fragments still remain;
- Yet shall remain some watch-tower strong
- That ivy-vines will not disdain,
- Haunted and trembling with your song.
- "Your flambeau in the dusk shall burn,
- Flame high in storms, flame white and clear;
- Your ghost in gleaming robes return
- And burn a deathless incense here."
- Vachel Lindsay

- FACTORY windows are always broken.
- Somebody's always throwing bricks,
- Somebody's always heaving cinders,
- Playing ugly Yahoo tricks.
- Factory windows are always broken.
- Other windows are let alone.
- No one throws through the chapel-window
- The bitter, snarling, derisive stone.
- Factory windows are always broken.
- Something or other is going wrong.
- Something is rotten--I think, in Denmark.
- End of factory-window song.
- Vachel Lindsay

- OLD Euclid drew a circle
- On a sand-beach long ago.
- He bounded and enclosed it
- With angles thus and so.
- His set of solemn greybeards
- Nodded and argued much
- Of arc and circumference,
- Diameter and such.
- A silent child stood by them
- From morning until noon
- Because they drew such charming
- Round pictures of the moon.
- Vachel Lindsay

- GIRL with the burning golden eyes,
- And red-bird song, and snowy throat:
- I bring you gold and silver moons,
- And diamond stars, and mists that float.
- I bring you moons and snowy clouds,
- I bring you prarie skies to-night
- To feebly praise your golden eyes
- And red-bird song, and throat so white.
- Vachel Lindsay

What the Carpenter Said
- THE moon's a cottage with a door.
- Some folks can see it plain.
- Look, you may catch a glint of light,
- A sparkle through the pane,
- Showing the place is brighter still
- Within, though bright without.
- There, at a cosy open fire
- Strange babes are grouped about.
- The children of the wind and tide--
- The urchins of the sky,
- Drying their wings from storms and things
- So they again can fly.
- Vachel Lindsay

- NO man should stand before the moon
- To make sweet song thereon,
- With dandified importance,
- His sense of humor gone.
- Nay, let us don the motley cap,
- The jester's chastened mien,
- If we would woo that looking-glass
- And see what should be seen.
- O mirror on fair Heaven's wall,
- We find there what we bring.
- So, let us smile in honest part
- And deck our souls and sing.
- Yea, by the chastened jest alone
- Will ghosts and terrors pass,
- And fays, or suchlike friendly things,
- Throw kisses through the glass.
- Vachel Lindsay

- OH, once I walked a garden
- In dreams. 'Twas yellow grass.
- And many orange-trees grew there
- In sand as white as glass.
- The curving, wide wall-border
- Was marble, like the snow.
- I walked that wall a fairy-prince
- And, pacing quaint and slow,
- Beside me were my pages,
- Two giant, friendly birds.
- Half swan they were, half peacock.
- They spake in courtier-words.
- Their inner wings a charriot,
- Their outer wings for flight,
- They lifted me from dreamland.
- We bade those trees good-night.
- Swiftly above the stars we rode.
- I looked below me soon.
- The white-walled garden I had ruled
- Was one lone flower--the moon.
- Vachel Lindsay

- HUNGRY for music with a desperate hunger
- I prowled abroad, I threaded through the town;
- The evening crowd was clamoring and drinking,
- Vulgar and pitiful--my heart bowed down--
- Till I remembered duller hours made noble
- By strangers clad in some suprising grace.
- Wait, wait my soul, your music comes ere midnight
- Appearing in some unexpected place
- With quivering lips, and gleaming, moonlit face.
- Vachel Lindsay

- THE moon's a steaming chalice,
- Of honey and venom-wine.
- A little of it sipped by night
- Makes the long hours divine.
- But oh, my reckless lovers,
- They drain the cup and wail,
- Die at my feet with shaking limbs
- And tender lips all pale.
- Above them in the sky it bends
- Empty and gray and dead.
- To-morrow night 'tis full again,
- Golden, and foaming red.
- Vachel Lindsay

- WHERE now the huts are empty,
- Where never a camp-fire glows,
- In an abandoned cañon,
- A Gambler's Ghost arose.
- He muttered there, "The moon's a sack
- Of dust." His voice rose thin:
- "I wish I knew the miner-man.
- I'd play, and play to win.
- In every game in Cripple-creek
- Of old, when stakes were high,
- I held my own. Now I would play
- For that sack in the sky.
- The sport would not be ended there.
- 'Twould rather be begun.
- I'd bet my moon against his stars,
- And gamble for the sun.
- Vachel Lindsay

- THIS section is a Christmas tree:
- Loaded with pretty toys for you.
- Behold the blocks, the Noah's arks,
- The popguns painted red and blue.
- No solemn pine-cone forest-fruit,
- But silver horns and candy sacks
- And many little tinsel hearts
- And cherubs pink, and jumping-jacks.
- For every child a gift, I hope.
- The doll upon the topmost bough
- Is mine. But all the rest are yours.
- And I will light the candles now.
- Vachel Lindsay

- EVEN the shrewd and bitter,
- Gnarled by the old world's greed,
- Cherished the stranger softly
- Seeing his utter need.
- Shelter and patient hearing,
- These were their gifts to him,
- To the minstrel chanting, begging,
- As the sunset-fire grew dim.
- The rich said "you are welcome."
- Yea, even the rich were good.
- How strange that in their feasting
- His songs were understood!
- The doors of the poor were open,
- The poor who had wandered too,
- Who slept with never a roof-tree
- Under the wind and dew.
- The minds of the poor were open,
- There dark mistrust was dead:
- They loved his wizard stories,
- They bought his rhymes with bread.
- Those were his days of glory,
- Of faith in his fellow-men.
- Therefore to-day the singer
- Turns beggar once again.
- Vachel Lindsay

- O DANDELION, rich and haughty,
- King of village flowers!
- Each day is coronation time,
- You have no humble hours.
- I like to see you bring a troop
- To beat the blue-grass spears,
- To scorn the lawn-mower that would be
- Like fate's triumphant shears,
- Your yellow heads are cut away,
- It seems your reign is o'er.
- By noon you raise a sea of stars
- More golden than before.
- Vachel Lindsay

- I LOOK on the specious electrical light
- Blatant, mechanical, crawling and white,
- Wickedly red or malignantly green
- Like the beads of a young Senegambian queen.
- Showing, while millions of souls hurry on,
- The virtues of collars, from sunset till dawn,
- By dart or by tumble of whirl within whirl,
- Starting new fads for the shame-weary girl,
- By maggotry motions in sickening line
- Proclaiming a hat or a soup or a wine,
- While there far above the steep cliffs of the street
- The stars sing a message elusive and sweet.
- Now man cannot rest in his pleasure and toil
- His clumsy contraptions of coil upon coil
- Till the thing he invents, in its use and its range,
- Leads on to the marvelous CHANGE BEYOND CHANGE
- Some day this old Broadway shall climb to the skies,
- As a ribbon of cloud on a soul-wind shall rise.
- And we shall be lifted, rejoicing by night,
- Till we join with the planets who choir their delight.
- The signs in the street and the signs in the skies
- Shall make me a Zodiac, guiding and wise,
- And Broadway make one with that marvelous stair
- That is climbed by the rainbow-clad spirits of prayer.
- Vachel Lindsay

- THE moon is now an opening flower,
- The sky a cliff of blue.
- The moon is now a silver rose;
- Her pollen is the dew.
- Her pollen is the mist that swings
- Across her face of dreams:
- Her pollen is the April rain,
- Filling the April streams.
- Her pollen is eternal life,
- Endless ambrosial foam.
- It feeds the swarming stars and fills
- Their hearts with honeycomb.
- The earth is but a passion-flower
- With blood upon his crown.
- And what shall fill his failing veins
- And lift his head, bowed down?
- This cup of peace, this silver rose
- Bending with fairy breath
- Shall lift that passion-flower, the earth
- A million times from Death!
- Vachel Lindsay

(To Edgar Lee Masters, with great respect)
- HERE upon the prarie
- Is our ancestral hall.
- Agate is the dome,
- Cornelian the wall.
- Ghouls are in the cellar,
- But fays upon the stairs.
- And here lived old King Silver Dreams,
- Always at his prayers.
- Here lived gray Queen Silver Dreams,
- Always signing psalms,
- And haughty Grandma Silver Dreams,
- Throned with folded palms.
- Here played cousin Alice.
- Her soul was best of all.
- And every fairy loved her,
- In our ancestral hall.
- Alice has a prarie grave.
- The King and Queen lie low,
- And aged Grandma Silver Dreams,
- Four toombstones in a row.
- But still in snow and sunshine
- Stands our ancestral hall.
- Agate is the dome,
- Cornelian the wall.
- And legends walk about,
- And proverbs, with proud airs.
- Ghouls are in the cellar,
- But fays upon the stairs.
- Vachel Lindsay

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