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Selections from
Cornhuskers
by Carl Sandburg (1918)
inscribed "To Janet and Margaret
RIVER ROADS
LET the crows go by hawking their caw and caw.
They have been swimming in midnights of coal mines somewhere.
Let 'em hawk their caw and caw.
Let the woodpecker drum and drum on a hickory stump.
He has been swimming in red and blue pools somewhere hundreds of years
And the blue has gone to his wings and the red has gone to his head.
Let his red head drum and drum.
Let the dark pools hold the birds in a looking-glass.
And if the pool wishes, let it shiver to the blur of many wings, old swimmers from old places.
Let the redwing streak a line of vermillion on the green wood lines.
And the mist along the river fix its purple in lines of a woman's shawl on lazy shoulders.
Carl Sandburg
PRAIRIE WATERS BY NIGHT
CHATTER of birds two by two raises a night song joining a litany of running water--sheer waters
showing the russet of old stones remembering many rains.
And the long willows drowse on the shoulders of the running water, and sleep from much music;
joined songs of day-end, feathery throats and stony waters, in a choir chanting new psalms.
It is too much for the long willows when low laughter of a red moon comes down; and the willows
drowse and sleep on the shoulders of the running water.
Carl Sandburg
LAUGHING CORN
THERE was a high majestic fooling
Day before yesterday in the yellow corn.
And day after to-morrow in the yellow corn
There will be high majestic fooling.
The ears ripen in late summer
And come on with a conquering laughter,
Come on with a high and conquering laughter.
The long-tailed blackbirds are hoarse.
One of the smaller blackbirds chitters on a stalk
And a spot of red is on its shoulder
And I never heard its name in my life.
Some of the ears are bursting.
A white juice works inside.
Cornsilk creeps in the end and dangles in the wind.
Always--I never knew it any other way--
The wind and the corn talk things over together.
And the rain and the corn and the sun and the corn
Talk things over together.
Over the road is the farmhouse.
The siding is white and a green blind is slung loose.
It will not be fixed till the corn is husked.
The farmer and his wife talk things over together.
Carl Sandburg
SUNSET FROM OMAHA HOTEL WINDOW
INTO the blue river hills
The red sun runners go
And the long sand changes
And to-day is a goner
And to-day is not worth haggling over.
Here in Omaha
The gloaming is bitter
As in Chicago
Or Kenosha.
The long sand changes.
To-day is a goner.
Time knocks in another brass nail.
Another yellow plunger shoots the dark.
Constellations
Wheeling over Omaha
As in Chicago
Or Kenosha.
The long sand is gone
and all the talk is stars.
They circle in a dome over Nebraska.
Carl Sandburg
LOCALITIES
WAGON WHEEL GAP is a place I never saw
And Red Horse Gulch and the chutes of Cripple Creek.
Red-shirted miners picking in the sluices,
Gamblers with red neckties in the night streets,
The fly-by-night towns of Bull Frog and Skiddoo,
The night-cool limestone white of Death Valley,
The straight drop of eight hundred feet
From a shelf road in the Hasiampa Valley:
Men and places they are I never saw.
I have seen three White Horse taverns,
One in Illinois, one in Pennsylvania,
One in a timber-hid road of Wisconsin.
I bought cheese and crackers
Between sun showers in a place called White Pigeon
Nestling with a blacksmith shop, a post-office,
And a berry-crate factory, where four roads cross.
On the Pecatonica River near Freeport
I have seen boys run barefoot in the leaves
Throwing clubs at the walnut trees
In the yellow-and-gold of autumn,
And there was a brown mash dry on the inside of their hands.
On the Cedar Fork Creek of Knox County
I know how the fingers of late October
Loosen the hazel nuts.
I know the brown eyes of half-open hulls.
I know boys named Lindquist, Swanson, Hildebrand.
I remember their cries when the nuts were ripe.
And some are in machine shops; some are in the navy;
And some are not on payrolls anywhere.
Their mothers are through waiting for them to come home.
Carl Sandburg
LOAM
In the loam we sleep,
In the cool moist loam,
To the lull of years that pass
And the break of stars,
From the loam, then,
The soft warm loam,
We rise:
To shape of rose leaf,
Of face and shoulder.
We stand, then,
To a whiff of life,
Lifted to the silver of the sun
Over and out of the loam
A day.
Carl Sandburg
CHICAGO POET
I SALUTED a nobody.
I saw him in a looking-glass.
He smiled--so did I.
He crumpled the skin on his forehead, frowning--so did I.
Everything I did he did.
I said, "Hello, I know you."
And I was a liar to say so.
Ah, this. looking-glass man!
Liar, fool, dreamer, play-actor,
Soldier, dusty drinker of dust--
Ah! he will go with me
Down the dark stairway
When nobody else is looking,
When everybody else is gone.
He locks his elbow in mine,
I lose all--but not him.
Carl Sandburg
SIXTEEN MONTHS
ON the lips of the child Janet float changing dreams.
It is a thin spiral of blue smoke,
A morning campfire at a mountain lake.
On the lips of the child Janet,
Wisps of haze on ten miles of corn,
Young light blue calls to young light gold of morning.
Carl Sandburg
PRAYERS OF STEEL
LAY me on an anvil, O God.
Beat me and hammer me into a crowbar.
Let me pry loose old walls.
Let me lift and loosen old foundations.
Lay me on an anvil, O God.
Beat me and hammer me into a steel spike.
Drive me into the girders that hold a skyscraper together.
Take red-hot rivets and fasten me into the central girders.
Let me be the great nail holding a skyscraper through blue nights into white stars.
Carl Sandburg
INTERIOR
IN the cool of the night time
The clocks pick off the points
And the mainsprings loosen.
They will need winding.
One of these days
they will need winding.
Rabelais in red boards,
Walt Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And there is nothing . . . .
To be said against them . . . .
Or for them . . . .
In the cool of the night time
And the docks.
A man in pigeon-gray pyjamas.
The open window begins at his feet
And goes taller than his head.
Eight feet high is the pattern.
Moon and mist make an oblong layout.
Silver at the man's bare feet.
He swings one foot in a moon silver.
And it costs nothing.
(One more day of bread and work.
One more day . . . .so much rags .
The man barefoot in moon silver
Mutters "You" and "You"
To things hidden
In the cool of the night time,
In Rabelais, Whitman, Hugo,
In an oblong of moon mist.
Out from the window . . . . prairielands.
Moon mist whitens a golf ground.
Whiter yet is a limestone quarry.
The crickets keep on chirring.
Switch engines of the Great Western
Sidetrack box cars, make up trains
For Weehawken, Oskaloosa, Saskatchewan;
The cattle, the coal, the corn, must go
In the night . . . . on the prairielands.
Chuff-chuff go the pulses.
They beat in the cool of the night time.
Chuff-chuff and chuff-chuff . . . .
These heartbeats travel the night a mile
And touch the moon silver at the window
And the hones of the man.
It costs nothing.
Rabelais in red boards,
Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And the clocks.
Carl Sandburg
STREET WINDOW
THE pawn-shop man knows hunger,
And how far hunger has eaten the heart
Of one who comes with an old keepsake.
Here are wedding rings and baby bracelets,
Scarf pins and shoe buckles, jeweled garters,
Old-fashioned knives with inlaid handles,
Watches of old gold and silver,
Old coins worn with finger-marks.
They tell stories.
Carl Sandburg
HORSES AND MEN IN RAIN
LET us sit by a hissing steam radiator a winter's day, gray wind pattering frozen raindrops on the window,
And let us talk about milk wagon drivers and grocery delivery boys.
Let us keep our feet in wool slippers and mix hot punches--and talk about mail carriers and
messenger boys slipping along the icy sidewalks.
Let us write of olden, golden days and hunters of the
Holy Grail and men called "knights" riding horses in the rain, in the cold frozen rain for ladies they loved.
A roustabout hunched on a coal wagon goes by, icicles drip on his hat rim, sheets of ice wrapping
the hunks of coal, the caravanserai a gray blur in slant of rain.
Let us nudge the steam radiator with our wool slippers and write poems of Launcelot, the hero, and
Roland, the hero, and all the olden golden men who rode horses in the rain.
Carl Sandburg
LAWYER
WHEN the jury files in to deliver a verdict after weeks of direct and cross examinations, hot clashes
of lawyers and cool decisions of the judge,
There are points of high silence--twiddling of thumbs is at an end--bailiffs near cuspidors take fresh
chews of tobacco and wait--and the clock has a chance for its ticking to be heard.
A lawyer for the defense clears his throat and holds himself ready if the word is "Guilty" to enter
motion for a new trial, speaking in a soft voice, speaking in a voice slightly colored with bitter wrongs
mingled with monumental patience, speaking with mythic Atlas shoulders of many preposterous,
unjust circumstances.
Carl Sandburg
UPSTAIRS
I TOO have a garret of old playthings.
I have tin soldiers with broken arms upstairs.
I have a wagon and the wheels gone upstairs.
I have guns and a drum, a jumping-jack and a magic lantern.
And dust is on them and I never look at them upstairs.
I too have a garret of old playthings.
Carl Sandburg
MONOSYLLABIC
LET me be monosyllabic to-day, O Lord.
Yesterday I loosed a snarl 'of words on a fool, on a child.
To-day, let me be monosyllabic . . . . a crony of old men who wash sunlight in their fingers and enjoy slow-pacing clocks.
Carl Sandburg
MEDALLION
THE brass medallion profile of your face I keep always.
It is not jingling with loose change in my pockets.
It is not stuck up in a show place on the office wall.
I carry it in a special secret pocket in the day
And it is under my pillow at night.
The brass came from a long ways off: it was up against hell and high water, fire and flood, before the
face was put on it.
It is the side of a head; a woman wishes; a woman waits; a woman swears behind silent lips that the
sea will bring home what is gone.
Carl Sandburg
BRINGERS
COVER me over
In dusk and dust and dreams.
Cover me over
And leave me alone.
Cover me over,
You tireless, great.
Hear me and cover me,
Bringers of dusk and dust and dreams.
Carl Sandburg
HAUNTS
THERE are places I go when I am strong.
One is a marsh pool where I used to go
with a long-ear hound-dog.
One is a wild crabapple tree; I was there
a moonlight night with a girl.
The dog is gone; the girl is gone; I go to these
places when there is no other place to go.
Carl Sandburg
THE YEAR
I
A STORM of white petals,
Buds throwing open baby fists
Into hands of broad flowers.
II
Red roses running upward,
Clambering to the clutches of life
Soaked in crimson.
III
Rabbles of tattered leaves
Holding golden flimsy hopes
Against the tramplings
Into the pits and gullies.
IV
Hoarfrost and silence:
Only the muffling
Of winds dark and lonesome--
Great lullabies to the long sleepers.
Carl Sandburg
FLANDERS
FLANDERS, the name of a place, a country of people,
Spells itself with letters, is written in books.
"Where is Flanders?" was asked one time,
Flanders known only to those who lived there
And milked cows and made cheese and spoke the home language.
"Where is Flanders?" was asked.
And the slang adepts shot the reply: Search me.
A few thousand people milking cows, raising radishes,
On a land of salt grass and dunes, sand-swept with a sea-breath on it:
This was Flanders, the unknown, the quiet,
The place where cows hunted lush cuds of green on lowlands,
And the raw-boned plowmen took horses with long shanks
Out in the dawn to the sea-breath.
Flanders sat slow-spoken amid slow-swung windmills,
Slow-circling windmill arms turning north or west,
Turning to talk to the swaggering winds, the childish winds,
So Flanders sat with the heart of a kitchen girl
Washing wooden bowls in the winter sun by a window.
Carl Sandburg
OLD TIMERS
I AM an ancient reluctant conscript.
On the soup wagons of Xerxes I was a cleaner of pans.
On the march of Miltiades' phalanx I had a haft and head;
I had a bristling gleaming spear-handle.
Red-headed Cæsar picked me for a teamster.
He said, "Go to work, you Tuscan bastard,
Rome calls for a man who can drive horses."
The units of conquest led by Charles the Twelfth,
The whirling whimsical Napoleonic columns:
They saw me one of the horseshoers.
I trimmed the feet of a white horse Bonaparte swept the night stars with.
Lincoln said, "Get into the game; your nation takes you."
And I drove a wagon and team and I had my arm shot off
At Spottsylvania Court House.
I am an ancient reluctant conscript.
Carl Sandburg
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